Although, there’s one emcee who makes it ubiquitous that in everything he does in his rapping, there’s no question about who it is. Q is “THAT n*gga”, when the topic WC and who is most efficient at exuding personality
It should be mandatory he gets brought up, as definite the “go-to” example. From his ad-libs, to the variance in his harrowing, total stir crazy delivery, to his “along the go” flows, he stands out instantaneously. Lyrically, he has just about every level of literary expression – being proficient at bars, storytelling, concepts in most of his content forms, and themes
On the technical side in Rap, the way he rhymes is designated to find a rhyme scheme that best compliments how he’s expressing atm, in that song
On his techniques, they’re as “off-the cuff” as his stage name, presence and own identity on the mic. The rhyming style he uses, fits the rapping to a T. If there's an album that encapsulates what is being described, it has to be his official major label debut, "Oxymoron".
With a hit song such as "Collard Greens" with label mate and other leader of the current West Coast Rap scene, Kendrick - it's a clear cut representation of how Schoolboy's style was taken upon even by Lamar himself. He had to adapt to Q's, to figure out a way gel with how he approached this track on a modern, experimental WC beat.
A1. "Collard Greens" Hook
A2. Verse 1
A3. Verse 2: Kendrick's Feature
A4. Verse 3
B. "Prescription/Oxymoron"
B2. "Prescription" Part 1: Verse 1, Verse 2
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B3. "Oxymoron" Part 2: Intro, Hook, Verse 3, Verse 4
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