Marianne Moore’s “The Fish” lyrics

by

Mr. Allen


wade
through black jade.
    Of the crow-blue mussel-shells, one keeps
    adjusting the ash-heaps;
        opening and shutting itself like

an
injured fan.
    The barnacles which encrust the side
    of the wave, cannot hide
        there for the submerged shafts of the

sun
split like spun
    glass, move themselves with spotlight swiftness
    into crevices—
        in and out, illuminating

the
turquoise sea
    of bodies. The water drives a wedge
    of iron through the iron edge
        of the cliff; whereupon the stars,

pink
rice-grains, ink-
    bespattered jelly-fish, crabs like green
    lilies, and submarine
        toadstools, slide each on the other.

All
external
    mark of abuse are present on this
    defiant edifice—
        all the physical features of

ac-
cident—lack
    of cornice, dynamite grooves, burns, and
    hatchet strokes, these things stand
        out on it; the chasm-side is

dead.
Repeated
    evidenced has proved that it can live
    on what can not revive
        its youth. The sea grows old in it.

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